08/29/2026
I took a little time off this week to complete some projects around the homestead (and yes, I promise, this has to do with horses).
Three years ago my husband and I bought a farmhouse on a few acres. The house was built in 1842 and has had, as far as we can tell, at least three additions onto the original home. It has all the character one could want from a home of this era and we've been in the process of lovingly - sometimes amidst choice words - remodeling and restoring it to make it uniquely ours.
That is to say we've been living in a half-finished (if we're lucky) round-robin of to-do's for three years. We've built pastures and sheds and a round pen from scratch. We tore off a whole porch and rebuilt the bones just to live in them for twelve months. We've power-washed and sanded and primed and finished what we thought was going to be the way something was meant to be only to exist alongside it for a bit and decide that wasn't what it was meant to be at all, scrapping the whole thing. There isn't a single room in the whole house that is 100% done, and there is so much still to do.
I have always been drawn to dusty old things. I love antiques, I love old homes, and I love old ways and practices. It is a nostalgia I have no real right to claim, being a child of the 90's, and yet it somehow feels as familiar and beholden to me as if I had been teleported from a past time and plopped into our modern era. I grew up in builder-grade houses that were lovely and clean and convenient and modern and yet they distinctly never felt like home. I knew that when I put down some roots somewhere, it was going to be in a place with stories to tell.
This knowledge has always uncomfortably intersected with the fact that I am very bad at "living in the yuck". I am fabulous at starting and ending things, however that in between phase where the vision is still a bit blurry and you're not sure if you made the right choice fills me with a dread I've never quite been able to put words to. I can work most people under the table, but that drive comes from having always felt like to do any less than achieve 100% of what I'm capable of is not a choice but an obligation.
This feeling does not mix well with that nostalgia I referenced. It also does not mix particularly well with working with horses, especially the kind of horses I tend to work with. And I think that is exactly why it is all actually far more synergistic than I ever realized.
Old houses are a constant stop-and-go endeavor. You can have an entire plan laid out only to have it all get shredded when you open up a wall or pull some floor boards. It's a master class in dancing with a lead partner who doesn't have a clue what the next move is and is making up the whole thing as they go along. You either learn how to go with the flow or sit out entirely: there is no middle ground. Horses demand something not all that dissimilar: they offer the illusion of control until you hit a moment where there literally isn't a damn thing you can do except hold on and go with the horse, wherever that ends up being.
And there is nothing better - for someone who needs to get better about living in the middle, the yuck, the uncomfortable in-between where there's ups and downs and lefts that look like rights and a demand for pensivity and a bit of penitence - than restoring old spaces and rehabilitating experience-hardened souls. It all fits so well that one might start to question who is restoring and rehabilitating whom.
I realized that this week as I beamed at our near-finished bathroom the same way I realized it as I smiled atop a teenaged gelding who had just thought to offer an easy stride of canter. The things that are worth pursing, the things that change us in ways we don't recognize until we arrive at moments we never would have appreciated nearly as much had we not been changed to begin with...those things only come from spending time in that uncomfortable middle place. I don't have a more eloquent way to say it, I just know it's true.
There is a fascinating and terrifying power in not knowing exactly how something is going to turn out and doing it anyway. Not knowing the price of admission, I've decided I'm willing to pay it.