Horseways

Horseways On the lookout for interesting stuff about horses
På spaning efter allt intressant om hästar Who's Horseways? Vem är Horseways?

It's me, Ylva Larsson, a journalist and equine therapist (sports massage and cranio sacral) who also runs YouTube channel Horseways (short videos on mainly new knowledge) and tweet under the same name and logo. Det är jag, Ylva Larsson, journalist och hästbehandlare (massör och kraniosakralterapeut) som också publicerar korta filmer jag producerat om ny hästkunskap på YouTube-kanalen Horseways samt twittrar under samma namn och logga.

01/06/2026

One reason for buying a pony is because you don't want to be beate by it ... and that's why Jill buys Rapide. As a child who didn't have a pony, nor any chance of getting one, it did seem a bit odd to me when I first read the book that Jill was so negative. She already had one pony, and was getting TWO! And here she was making an epic fuss.

But I do think it's realistic. We often don't realise just how lucky we are compared to other people, and one of the things I love most about Jill is that she is real. She's very far from perfect.

Here's the bit where she tells Ann, and later Martin, what she's done.

****
Next morning as soon as I got into the form room my friend Ann Derry rushed up to me.

“Did you buy it?” she cried excitedly. “The pony, I mean.”

“Yes I did,” I said, putting down my case and remembering that I had left my history notebook on the top of the corn-bin in the outhouse.

“What’s he like? Do tell me!”

“He’s all right,” I said. It was just as if something was clamping me down when I tried to talk about Rapide. I couldn’t tell about Saturday, even to my school friend.

“Well, if you don’t want to tell me you needn’t,” said Ann rather huffily.

“I’ve told you,” I said. “He’s all right. He’s quite a good pony and he can jump. There isn’t anything else to say, is there?”

She just stared at me, because of course I am usually a person who has a great deal to say about everything. I thought gloomily that ever since Rapide had come into my life all my nearest and dearest had begun to think I was bats. Perhaps I would be bats before I had finished with Rapide.

By break-time it was all over the form that I had bought a show jumper. Everybody was interested because most of them rode, and I had been meeting them in the show ring for the last two summers.

“So you’ve bought a new pony, for jumping?” said Susan Pyke as we ate our biscuits. “I shall have to pull my socks up!”

I could have pointed out that I had beaten her in most events only that very summer but I felt too low to bother.

“What’s he like? What’s he called?” everybody was shouting at me. I’m sure they thought I had some sinister reason for being dumb about Rapide because it would never occur to them that anybody could be so mad as to buy a pony she didn’t like.
I felt miserable by the time I went home that afternoon, and after tea I couldn’t bear it any longer so I went over to see Martin Lowe who is the grandest person and taught me to ride, though he has to sit in a wheel-chair all the time because he lost the use of his legs when he was in the R.A.F. in the war.

I always liked going to the Lowes’. I liked their house which was big and old-fashioned and countryfied and I liked all the whips and photographs of horses and the trophies which were hung up on the walls, and the piles of Horse and Hound in places where most houses have dreary magazines about knitting and fashions, and the wonderful stables at the back, and the way their groom hissed—all grooms hiss but the Lowes’ groom was the world’s champion hisser—and the huge paddock, and the sort of meals the Lowes had, and their cook who could make peppermint creams, and the general horsiness of everything. The only thing I didn’t like was the way Mrs. Lowe always treated me as if I were six, only Martin said she did that to him too.

Martin was writing in the dining-room with the window open as I rode up on Black Boy, and he shouted, “Come in! You haven’t been to see us for ages. I expect you’re dying to tell me about the new pony. You did buy him, I suppose?”

I dismounted in a nonchalant sort of way—at least I hope it looked like that—and tethered my pony. Then I went into the house.

“How’s things?” said Martin.

“All right,” I said.

“Now what’s the matter?”

“Nothing,” I said.

He picked up his pen and just went on writing, as much as to say, “If that’s all you’re going to tell me, why did you come?”

I knew I was being silly and rude, so in a minute out it all came.

“Oh Martin,” I said, “he’s awful. And he loathes me with a deadly loathing.”
(I got that bit out of an old-fashioned novel. I do think that people in the olden days used to say things in a much more exciting way than we do now.)

Martin put his pen down and asked calmly, “What on earth did you buy him for?”
I poured out the story of the dismal visit to the Penberthys’, and not wanting to disappoint Mummy who liked Mrs. Penberthy so much, and about Rapide having turned against me from the very start and how he jumped a clear round for Joan Penberthy and wouldn’t do a thing for me.

“So I bought him,” I said, “just to show him that I wouldn’t be beaten.”

“Well, that’s one reason for buying a pony,” said Martin.

“I know it’s batty,” I said. “Oh, do please understand.”

“But it isn’t at all batty,” he said. “Friends of mine have done it before and it has all turned out extremely well. It’s a perfectly good reason for buying a horse and shows you have the right spirit. Good luck to you.”

“Oh Martin, I’m so relieved I could pass out!” I said. “Promise me you’ll never let Mummy know how I feel about Rapide. She thinks he’s wonderful.”

“I shan’t let a single hair of the cat out of the bag,” he said. “You say this pony is actually a good pony and can jump?”

“Oh yes, he’s been well schooled. I saw him do six jumps that were the kind you get in the under-sixteens. He’s won masses of prizes for Joan Penberthy. But he’s got the weirdest action. He canters up to the jump, then checks and stops dead. Then he pops up his forelegs, sort of bucks up his middle, pops up his hind-legs and he’s over. I can’t think how he does it. I did so hope I’d get a soaring kind of jumper.”

“You don’t think he’s a mean-spirited pony?”

“No-oo,” I said slowly. “It was just the way he looked at me, as much as to say, who is this lower-than-worms creature? And I felt such a fool when he wouldn’t try to jump for me. Mummy thought I was letting her down and the Penberthys thought I’d never tried to jump before. That was when I decided to buy Rapide. Rapide! Isn’t it a silly name? He looks more like the Rocking-Horse Fly.”

“Well, I shall look on with interest to see what you make of him,” said Martin. “After all, you can always sell him again.”

This thought, which hadn’t occurred to me, cheered me up so much that I felt quite happy, and we went out to look at the horses and ate some peppermint creams in the kitchen.

*****
If you want to remind yourself of the rest of the story, it's available as an eBook and a paperback, and you can also save yourself some money if you buy the whole series at once. Here are the links for you:

eBook set (£29.99): https://shop.janebadgerbooks.co.uk/products/ruby-ferguson-the-jill-series
paperback set (not illustrated, £70.00): https://shop.janebadgerbooks.co.uk/products/ruby-ferguson-all-nine-jill-books-paperback
eBook (£3.95): https://shop.janebadgerbooks.co.uk/products/ruby-ferguson-jill-has-two-ponies
paperback (£8.99): https://shop.janebadgerbooks.co.uk/products/ruby-ferguson-jill-has-two-ponies-paperback

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01/06/2026

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🎬🐴 Happy Birthday to the legendary Clint Eastwood! 🎉
Few stars in Hollywood history have built a career as long, varied, and iconic as Clint Eastwood. From television cowboy to Oscar-winning director, from rugged gunslinger to acclaimed filmmaker, Eastwood has spent more than six decades becoming one of the most respected names in cinema.

Long before the awards, before *Unforgiven*, *Million Dollar Baby*, and *Gran Torino*, Clint Eastwood was a young actor riding across America’s television screens in *Rawhide*. Week after week, he lived the cowboy life — cattle drives, dusty trails, long days in the saddle, and endless hours working with horses.

But somewhere along the way, it stopped being just a role.

The world of horses, ranches, and open country became something deeply personal to him. The rhythm of ranch life and the connection between rider and horse stayed with him long after the cameras stopped rolling.

And he carried that love into real life.

In 1986, Eastwood rescued the historic Mission Ranch in Carmel, California from being turned into condominiums. The beautiful 22-acre property — once an old dairy farm dating back to the 1850s — became one of the most beloved landmarks on the California coast. Overlooking the Pacific Ocean and Carmel River, the ranch still reflects the peaceful lifestyle Eastwood came to cherish: open land, grazing animals, and a slower pace far removed from Hollywood glamour.

Even after becoming a global superstar, a mayor, composer, producer, and four-time Academy Award winner, there has always been something unmistakably authentic about Clint Eastwood. Whether in front of the camera or behind it, he brought the same quiet strength, independence, and love of the American West that first made audiences take notice.

Clint Eastwood didn’t just play cowboys.

He became one.

Happy Birthday to a true Hollywood legend. 🤠🐎

30/05/2026
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30/05/2026

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The Bronx Zoo has welcomed one of the rarest foals on Earth. 🐴❤️

A Przewalski’s horse foal was recently born at the famous New York zoo, joining a species once considered completely extinct in the wild.

The Bronx Zoo, operated by the Wildlife Conservation Society, is one of the world’s most iconic zoos and home to some of the planet’s best-known wildlife exhibits, including Tiger Mountain, Congo Gorilla Forest, JungleWorld, and the Wild Asia Monorail — where visitors can now catch a glimpse of the young foal alongside the herd.

But this tiny horse represents far more than just a cute new arrival.

Przewalski’s horses, also known as Mongolian wild horses, are often described as the last truly wild horse species left on Earth. By the mid-20th century, the species had vanished from the wild entirely after decades of hunting, habitat loss, and human expansion devastated their numbers.

Every Przewalski’s horse alive today descends from a very small captive population that became the foundation of an international conservation effort.

Over time, breeding programs helped slowly rebuild the species, while reintroduction projects returned horses to protected grasslands in Mongolia and China.

The Bronx Zoo has played a role in that recovery story through carefully managed breeding programs designed to preserve the species’ fragile genetic diversity.

So while visitors may see an adorable foal, conservationists see something much bigger:

Another small step in the survival of one of the world’s rarest horse species. 🌍🐎

29/05/2026

Lately I’ve been thinking a lot about the many layers of horse training, and how easy it is to focus on one while forgetting the others.

Before anything else, there is the horse itself. The inner being. The soul, if you will. Learning what brings this particular horse peace, curiosity, confidence or worry. Learning how they make sense of the world, what comes naturally to them, and what does not.

Some horses are born carrying deep wisdom in certain areas of life, while remaining completely lost in others. Aramis has taught me more about connection, presence and quiet honesty than I could ever put into words. He moves through relationships with such clarity and integrity, yet when it comes to many parts of our human world, he is wonderfully innocent. Unaware of roads, expectations, strange objects and all the things we ask horses to accept as normal.

It would be unfair of me to assume that because he is wise in one area, he is automatically prepared for all the others. So our relationship becomes a constant balancing act. Sometimes he is my teacher, and sometimes I must be his guardian.

Then there is the physical horse. The body. The temple carrying all of this. Helping the horse become strong, coordinated and aware of itself feels deeply important to me, especially considering how unnatural so much of domestic life truly is for them.

And then, eventually, if you want, there is dressage.

Not dressage as a set of movements, but as the art of two beings learning to move as one. A conversation in motion. A form of meditation, almost...

An endless exploration of strengths and weaknesses, softness and power, individuality and harmony. I am endlessly grateful to Jaquetão for exploring this strange and beautiful art with me.

The older I get, the less I feel horse training is about control.

And the more I feel it is about responsibility, understanding and learning how to listen closely enough that another creature willingly chooses to dance with you. By recognising their soul, bringing awareness to their body, and learning to blend into one.

29/05/2026
29/05/2026

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