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Andreas LolisUntitled, 2025hand carved marble197 x 92 x 18 cm.andreas ACCIDENTAL MONUMENTSNovember 13, 2025–December 20,...
05/12/2025

Andreas Lolis
Untitled, 2025
hand carved marble
197 x 92 x 18 cm.
andreas
ACCIDENTAL MONUMENTS
November 13, 2025–December 20, 2025

Her colors are reminiscent of wounding, collision, and fragility, while simultaneously drawing from nature and its shift...
02/12/2025

Her colors are reminiscent of wounding, collision, and fragility, while simultaneously drawing from nature and its shifting images. She feels the need to find her place in the vast space of a blank surface, using broad gestures to navigate its large scale and uncover the work concealed within fluctuating dimensions. The canvas becomes her operating space for the dissection of the inner psyche. Paint and color transition through familiar yet uncanny figures and shapes.

’s explorations engage with themes of self-actualization, constant transformation, and the ambiguity of intangible forms, inviting viewers to fill in the blanks left by the abstract nature of her artistic style. Each painting functions like an X-ray of her inner world while also posing as a mirror, reflecting the viewer’s own visual memory and lived experience. Eluding direct narratives, she is interested instead in the decisiveness of encounter, how each person, shaped by their own perspective, uncovers a different story within the same work. Whether the viewer is appalled by the remnants of her intestinal forms or sympathizes with her prismatic outbursts, the work has reached the core of its intention. Ultimately, her practice underlines the subtle yet profound influence of the unseen.

BECAUSE NOW
November 13, 2025–December 20, 2025
Feeder, Athens
📸

Andreas LolisUntitled, 2025hand carved marble200 x 120 x 50cm. andreas 📸
18/11/2025

Andreas Lolis
Untitled, 2025
hand carved marble
200 x 120 x 50cm.
andreas
📸

…Known for his pseudomaterialities, he transforms marble into the most familiar of forms, turning a material of permanen...
15/11/2025

…Known for his pseudomaterialities, he transforms marble into the most familiar of forms, turning a material of permanence into vessels of transience – corporeal residues of lived presence. His practice redefines the sculptural object as an imprint of experience, where the emotional and the everyday coexist... - .kokkinos
andreas Accidental Monuments November 13 –December 20, 2025

Göteborg International Biennial for Contemporary Art #13 Curated by September 20 – November 30, 2025Georgia Sagri, ...
07/11/2025

Göteborg International Biennial for Contemporary Art #13 Curated by
September 20 – November 30, 2025

Georgia Sagri, Gone Gone Beyond, 2025, fabric, polyester, permanent blower, guy ropes, bag, 4.9m x 2.7m x 2.7m GIBCA #13, Röda Sten Kunsthalle, Gothenburg. Photo by: Erika Henrikson © Georgia Sagri

The Breeder is pleased to present Because Now, Eleni Gkinosati’s (1990, Greece/El Salvador, is a visual artist based in ...
06/11/2025

The Breeder is pleased to present Because Now, Eleni Gkinosati’s (1990, Greece/El Salvador, is a visual artist based in Vienna) first solo exhibition at the gallery.

Guided by instinct and curiosity, Gkinosati’s process unfolds before thought or intention steps in. Triggered by a fabric, a hue of blue, or an emotional encounter, she pursues transformation—both material and inner.

Her paintings emerge between control and impulse, color and gesture. Each work resists repetition, embodying renewal with every canvas. Shades evoke wounding and tenderness, nature and collision—revealing the psyche through movement and form.

Exploring self-actualization and transformation, Gkinosati invites viewers to uncover their own stories within her abstract imagery. The unseen becomes visible, not as explanation, but as encounter.

Because Now
November 13, 2025–December 20, 2025
Opening

The Breeder is pleased to present Because Now, Eleni Gkinosati’s (1990, Greece/El Salvador, is a visual artist based in ...
06/11/2025

The Breeder is pleased to present Because Now, Eleni Gkinosati’s (1990, Greece/El Salvador, is a visual artist based in Vienna) first solo exhibition at the gallery.

Guided by instinct and curiosity, Gkinosati’s process unfolds before thought or intention steps in. Triggered by a fabric, a hue of blue, or an emotional encounter, she pursues transformation—both material and inner.

Her paintings emerge between control and impulse, color and gesture. Each work resists repetition, embodying renewal with every canvas. Shades evoke wounding and tenderness, nature and collision—revealing the psyche through movement and form.

Exploring self-actualization and transformation, Gkinosati invites viewers to uncover their own stories within her abstract imagery. The unseen becomes visible, not as explanation, but as encounter.

The title Forever Fish references “forever chemicals,” human-made substances that persist indefinitely in water systems,...
30/10/2025

The title Forever Fish references “forever chemicals,” human-made substances that persist indefinitely in water systems, underscoring the ecological and psychological urgency of Lappas’ inquiry. Whereas the moon crab in Ludwigshafen guided visitors through the subconscious, in Athens the fish becomes a figure of endurance—at once vulnerable and resilient—illuminating our intimate, precarious connection with aquatic life and the environments we inhabit.

Moving fluidly between painting, sculpture, sound and installation, Lappas interlaces fragments of figuration and abstraction into immersive environments. His luminous paintings of riverine and oceanic creatures suggest beings that hover between myth and biology. Textiles, sculptural interventions and murals extend these images into space, enveloping visitors in multi-sensory encounters that blur the boundaries between human and more-than-human experience.

Forever Fish on view until November 2

(1950–2009) was a self-taught artist whose distinctive visual language remained largely under the radar during her lif...
21/10/2025

(1950–2009) was a self-taught artist whose distinctive visual language remained largely under the radar during her lifetime. Working across painting, developed a deeply personal and expressive style.
Her evocative portraits draw upon the textures of everyday life, weaving
together myth, ritual, and personal narrative. ’s protagonists—men in
cafés, beggars, s*x workers—emerge as everyday heroes in surreal, dreamlike
scenes that blur the line between fact and fiction. With self-referential gestures and symbolic imagery, her work speaks to themes of marginality, resilience, and inner life.
presentation brings together key works by showcasing her vivid and deeply intimate
portraits, painted primarily in oil on canvas during the early 1990s through the
late 1990s. Her compositions capture domestic intimacy and everyday social
settings with striking emotional depth.
Each canvas stands as a visual diary—emotional, narrative-driven, and
charged with private meaning—while also evoking broader social and cultural
textures from the late 20th-century Greek landscape. Despite limited exposure
during her career, has left behind a quietly powerful legacy that
continues to resonate.

Georgia Sagri, The Heart of Kore, 2025, Hand-blown glass, iroko wood, metal, various metallic components, rubber, water-...
18/10/2025

Georgia Sagri, The Heart of Kore, 2025, Hand-blown glass, iroko wood, metal, various metallic components, rubber, water-based acrylic paint, 115 x 350 x 350 cm

Jannis Varelas, Segretario in piedi, 2025, oil on canvas, 205x205x6 cm London B27
17/10/2025

Jannis Varelas, Segretario in piedi, 2025, oil on canvas, 205x205x6 cm
London B27

Dendrocalamus Sinicus, 2025cast brass166 x 65 x 36 cm
16/10/2025


Dendrocalamus Sinicus, 2025
cast brass
166 x 65 x 36 cm

Address

Iasonos 45
Athens
10436

Opening Hours

Tuesday 11:00 - 19:00
Wednesday 11:00 - 19:00
Thursday 11:00 - 19:00
Friday 11:00 - 19:00
Saturday 11:00 - 17:00

Telephone

+30 210 3317527

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