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Tuesday 11:00 - 19:00 Wednesday 11:00 - 19:00 Thursday 11:00 - 19:00 Friday 11:00 - 19:00 Saturday 11:00 - 17:00

The Breeder

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27/10/2026

Margarita Myrogianni, Armor I & II, 2026
cast brass, 30 x 31 x 24 cm., 28 x 28 x 23 cm.

Margarita Myrogianni IASONOS STREET, METAXOURGEIO THE BREEDER
September 24, 2026–November 21, 2026

27/10/2026

Margarita Myrogianni, Mad Hatter, 2026, cast brass, 50 x 44 x 25 cm.

Margarita Myrogianni IASONOS STREET, METAXOURGEIO THE BREEDER
September 24, 2026–November 21, 2026

27/10/2026

Margarita Myrogianni, Hand With Glove, 2026
cast brass, 93 x 65 x 57 cm.

Margarita Myrogianni IASONOS STREET, METAXOURGEIO THE BREEDER
September 24, 2026–November 21, 2026

22/10/2026

Kostis Velonis, The South Seas I (Emil Nolde never came here), 2026
oil, acrylic, color pencil and oil pastel on canvas, 150 x 150 cm.

Kostis Velonis, Trade Winds ΙΙ, 2026
oil, acrylic, color pencil and oil pastel on canvas, 150 x 150 cm.

Kostis Velonis, Moby-Dick Has Gone South, 2026
oil, acrylic, color pencil and oil pastel on canvas, 150 x 150 cm.

Kostis Velonis, The Future Is Upstairs II (The Tyrell Corporation), 2026
oil, acrylic, color pencil and oil pastel on canvas, 150 x 150 cm.

22/10/2026

Kostis Velonis, Trade Winds ΙΙ, 2026
oil, acrylic, color pencil and oil pastel on canvas, 150 x 150 cm.

Kostis Velonis stages a fragile theatrical world of makeshift structures and wandering performers. Drawing on amateur theatre, circus, and religious allegory, his figures embody a poetics of failure, where clumsiness becomes a mode of knowledge. His “environmental slapstick” frames the human condition as unstable performance, between aspiration and collapse.

Kostis Velonis THE BREEDER Aaahhh!!! Paris Internationale

20/10/2026

Aaahhh!!! Paris Internationale October 20, 2026–October 24, 2026
187–189 Quai de Valmy, Canal Saint- Martin
The Breeder brings together works by Eleni Pitari-Pangalou (1905–1995) and Kostis Velonis (b. 1968) through a shared concern with figuration as a site of projection, ritual, and instability.

Their dialogue unfolds through circularity, repetition, and staged presence. Pitari-Pangalou’s cosmic rituals meet Velonis’ itinerant performers, proposing forms of collective enactment where meaning is continuously rehearsed. Light—whether metaphysical core or theatrical spotlight—structures this encounter.

The exhibition proposes a continuity across generations, where modernist inwardness and contemporary precariousness converge into a theater of being—mystical, comic, and human.

In parallel for Special Project Parcours, The Breeder presents Georgia Sagri Sitting with my Breath II (2024). The work transforms the familiar form of a public bench into a site of encounter, attentiveness, and shared experience. Cast iron and timber are interrupted by a monumental hand-blown glass form resembling an expanded breath, subtly altering the body’s habitual relationship to an object designed for rest. Rather than preventing use, the sculpture invites visitors to slow down, negotiate their position, and become conscious of breathing as both a physical necessity and a shared condition.

17/10/2026

Iva Lulashi, Eyes of Salt, 2026
oil on canvas/paper mounted on linen canvas, 21.5 x 33 x 3.5 cm.

Iva Lulashi THE BREEDER B29 Frieze London 2016

17/10/2026

Iva Lulashi, Dracula the Narcissist, 2026
oil on canvas/paper mounted on linen canvas, 21.5 x 33 x 3.5 cm.

Iva Lulashi THE BREEDER B29 Frieze London 2026

17/10/2026

Iva Lulashi, Post-Dialogue, 2026
oil on canvas/paper mounted on linen canvas, 21.5 x 33 x 3.5 cm.

Iva Lulashi THE BREEDER B29 Frieze London 2026

17/10/2026

Iva Lulashi, Amare senza Mare, 2026
oil on canvas/paper mounted on linen canvas, 21.5 x 33 x 3.5 cm.

Iva Lulashi THE BREEDER B29 Frieze London 2026

Address

Iasonos 45
Athens
10436

Opening Hours

Tuesday	11:00 - 19:00
Wednesday	11:00 - 19:00
Thursday	11:00 - 19:00
Friday	11:00 - 19:00
Saturday	11:00 - 17:00

Telephone

+30 210 3317527

Website

http://www.thebreedersystem.com/

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