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Nearside Equestrian We are a boutique style equestrian facility focused on producing well rounded equestrian athletes.

01/03/2026

We are very excited to link these wonderful facilities into a show series!

15/02/2026

๐—” ๐˜€๐—น๐—ถ๐—ด๐—ต๐˜๐—น๐˜† ๐˜‚๐—ป๐—ฐ๐—ผ๐—บ๐—ณ๐—ผ๐—ฟ๐˜๐—ฎ๐—ฏ๐—น๐—ฒ ๐˜๐—ฟ๐˜‚๐˜๐—ต (๐—ฏ๐˜‚๐˜ ๐—ผ๐—ป๐—ฒ ๐˜๐—ต๐—ฎ๐˜ ๐—ต๐—ฒ๐—น๐—ฝ๐˜€ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ฑ๐—ฟ๐—ฒ๐˜€๐˜€๐—ฎ๐—ด๐—ฒ ๐˜€๐—ฐ๐—ผ๐—ฟ๐—ฒ๐˜€):

Most of the time, itโ€™s not the judge.

When I watch tests back with riders, the issue is rarely the movement itself.

Itโ€™s the basics underneath it.

Here are ๐Ÿฒ ๐˜๐—ต๐—ถ๐—ป๐—ด๐˜€ ๐—ฟ๐—ถ๐—ฑ๐—ฒ๐—ฟ๐˜€ ๐—ผ๐—ณ๐˜๐—ฒ๐—ป ๐˜๐—ต๐—ถ๐—ป๐—ธ ๐—ฎ๐—ฟ๐—ฒ ๐—ด๐—ผ๐—ผ๐—ฑ ๐—ฒ๐—ป๐—ผ๐˜‚๐—ด๐—ต โ€” ๐˜„๐—ต๐—ฒ๐—ป ๐˜๐—ต๐—ฒ๐˜† ๐—ฎ๐—ฟ๐—ฒ๐—ปโ€™๐˜ ๐˜†๐—ฒ๐˜ ๐Ÿ‘‡

1๏ธโƒฃ ๐—” ๐˜๐—ฟ๐—ฎ๐—ป๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐˜€๐—ปโ€™๐˜ ๐—ฐ๐—ผ๐—ฟ๐—ฟ๐—ฒ๐—ฐ๐˜ ๐—ท๐˜‚๐˜€๐˜ ๐—ฏ๐—ฒ๐—ฐ๐—ฎ๐˜‚๐˜€๐—ฒ ๐—ถ๐˜ ๐—ต๐—ฎ๐—ฝ๐—ฝ๐—ฒ๐—ป๐—ฒ๐—ฑ

If the horse loses balance, changes rhythm, or drops onto the forehand,

the transition wasnโ€™t good โ€” even if it was on the letter.

2๏ธโƒฃ ๐—”๐—ฐ๐—ฐ๐˜‚๐—ฟ๐—ฎ๐—ฐ๐˜† ๐—ด๐—ถ๐˜ƒ๐—ฒ๐˜€ ๐˜†๐—ผ๐˜‚ ๐—บ๐—ฎ๐—ฟ๐—ธ๐˜€ ๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐—ฒ๐˜…๐˜๐—ฟ๐—ฎ ๐—ฒ๐—ณ๐—ณ๐—ผ๐—ฟ๐˜

Straight lines need to be straight.

Circles need to be round.

โ€œNearly rightโ€ geometry is an easy way to lose marks.

3๏ธโƒฃ ๐—™๐—ผ๐—ฟ๐˜„๐—ฎ๐—ฟ๐—ฑ ๐—ฐ๐—ผ๐—บ๐—ฒ๐˜€ ๐—ณ๐—ฟ๐—ผ๐—บ ๐—ฏ๐—ฒ๐—ต๐—ถ๐—ป๐—ฑ, ๐—ป๐—ผ๐˜ ๐—ณ๐—ฟ๐—ผ๐—บ ๐˜€๐—ฝ๐—ฒ๐—ฒ๐—ฑ

Impulsion is engagement and connection.

If the horse is running or the contact isnโ€™t consistent, the movement wonโ€™t score.

4๏ธโƒฃ ๐—ฌ๐—ผ๐˜‚๐—ฟ ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜† ๐—ฎ๐—ณ๐—ณ๐—ฒ๐—ฐ๐˜๐˜€ ๐˜๐—ต๐—ฒ ๐—ต๐—ผ๐—ฟ๐˜€๐—ฒ

If youโ€™re crooked, the horse will be crooked.

If youโ€™re busy, the horse will be tight.

Good riding is quiet, stable, and clear.

5๏ธโƒฃ ๐—ง๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐—บ๐—ถ๐—ป๐˜‚๐˜๐—ฒ ๐—บ๐—ฎ๐˜๐˜๐—ฒ๐—ฟ๐˜€

The way you enter, halt, and present the horse sets the tone.

Itโ€™s not about being fancy โ€” itโ€™s about being organised and confident.

6๏ธโƒฃ ๐—ช๐—ต๐—ฎ๐˜ ๐˜†๐—ผ๐˜‚ ๐—ฑ๐—ผ ๐—ฎ๐—ณ๐˜๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐˜๐—ฒ๐˜€๐˜ ๐—บ๐—ฎ๐—ธ๐—ฒ๐˜€ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ

You either look at the test honestlyโ€ฆ

or you start blaming away.

Only one of those leads to better scores next time.

Most riders donโ€™t need harder movements.

They need to make the simple things ๐—ฏ๐—ฒ๐˜๐˜๐—ฒ๐—ฟ.

๐Ÿ‘‡ Save ready for your upcoming dressage test

๐Ÿ‘‡ Share with anyone who can use this to improve for next time

15/01/2026

Hard days in show jumping happen to everyoneโ€”even Olympic riders. What matters is how you handle them so they make you better instead of burning you out. Hereโ€™s a practical, rider-centered way to get through them.

1. Separate performance from worth
A bad round doesnโ€™t mean youโ€™re a bad rider.

Ask: โ€œWhat went wrong today?โ€ not โ€œWhatโ€™s wrong with me?โ€

One refusal, rail, or time fault is information, not a verdict.

Mantra: I can have a bad day without being a bad rider.

2. Read the round like a professional
After emotions settle (even 10โ€“15 minutes helps), break it down:

Rider error? (line, pace, eye, distance)

Horse moment? (fatigue, confidence, spook, misunderstanding)

Training gap? (adjustability, rideability, strength)

๐Ÿ‘‰ Write down one thing to fix and one thing that went well. Always both.

3. Protect your horseโ€™s confidence
On hard days:

End with something easy and positive (small jump, flatwork win, a pat and walk)

Avoid drilling the mistake

Praise effort, not perfection

A confident horse forgives tomorrow what today didnโ€™t go perfectly.

4. Donโ€™t train while emotional
Anger, frustration, or embarrassment lead to:

Over-riding

Micromanaging

Loss of feel

If emotions are high:

Walk

Breathe

Get off if needed

Good riders know when to stop. Great riders stop early.

5. Reframe the day
Instead of:

โ€œThat show was a disaster.โ€

Try:

โ€œThat show showed me exactly what to work on.โ€

Every successful rider you admire has had:

Eliminations

Eliminated horses

Confidence crises

Seasons theyโ€™d rather forget

They just didnโ€™t quit.

6. Zoom out
Ask yourself:

How was my riding 3 months ago?

Is my horse improving overall?

Am I learning consistency, feel, and timing?

Progress in show jumping is not linearโ€”it looks like steps forward, plateaus, and occasional backward days.

7. Take care of you
Hard days hit harder when youโ€™re:

Tired

Hungry

Stressed

Comparing yourself to others

Simple fixes:

Eat

Hydrate

Step away from social media after bad rounds

Talk to someone who understands horses

8. Keep perspective
Show jumping is:

A partnership

A long game

A sport where mistakes are visible

But itโ€™s also:

A privilege

A teacher

A place where resilience matters more than ribbons

Merry Christmas to all! It wouldnโ€™t be Christmas without a festive sweater!
24/12/2025

Merry Christmas to all! It wouldnโ€™t be Christmas without a festive sweater!

20/12/2025

Hot take:
If your horse ignores small aids, you are in trouble.

When riders say,
โ€œHe just doesnโ€™t react unless I really ask,โ€
what they usually mean is this:

The horse has learned that quiet aids donโ€™t matter.

That didnโ€™t happen overnight.
It happened slowly โ€” every time a small aid was ignored and nothing followed.

Horses donโ€™t suddenly become dull.
They become dull when whispers have no consequence.

And hereโ€™s the important part:
When a horse ignores the whisper, he forces the rider to shout.

Bigger leg.
Stronger hand.
More pressure.

From the horseโ€™s point of view, that feels unpredictable and unfair โ€”
because the correction comes late, not clear.

Thatโ€™s why I repeat this so often in lessons:
If he ignores the whisper, clarify immediately.

Not aggressively.
Not emotionally.
Just clearly.

A quick clarification, followed by an instant release, teaches the horse that light aids matter.

And once light aids matter,
everything gets easier:
โ€“ the horse feels lighter
โ€“ the reactions improve
โ€“ the tension drops
โ€“ the ride becomes calmer

Quiet horses arenโ€™t born.
Theyโ€™re trained โ€” through timing and clarity.

๐Ÿ’ฌ Be honest โ€” does your horse react to the first light aid, or only the second or third?

๐Ÿ‘ฅ If this sounds familiar, follow me for more clear, practical training advice like this.

12/12/2025

๐ŸŸข OVER-TRACKING - Your horseโ€™s hind feet step clearly IN FRONT of the prints left by his front feet.

๐Ÿ”ด TRACKING-UP - Your horseโ€™s hind feet step INTO the prints left by his front feet.

๐Ÿ”ต UNDER-TRACKING - Your horseโ€™s hind feet step BEHIND the prints left by his front feet.

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WALK

๐Ÿ‘‰ Over-tracking is mentioned on a dressage sheet in reference to the free walk and is also looked for in the extended walk.

๐Ÿ‘‰ If your horse has a particularly good walk, he might over-track in free walk by as much as 12 inches.

๐Ÿ‘‰ Although itโ€™s not demanded in the medium walk, some over-track is expected if your horse is using himself properly, but at the very least, he should track-up.

๐Ÿ‘‰ In the collected walk, the steps are shorter and more elevated, and the horse may under-track.

TROT

๐Ÿซฑ In working trot, tracking up is expected.

๐Ÿซฑ In the medium and extended trot, a degree of over-tack is required in line with the lengthening of your horseโ€™s stride and frame.

๐Ÿซฑ In the collected trot, the steps are shorter and more elevated, and the horse may under-track.

CANTER

๐Ÿค™ Because of your horse's natural canter gait sequence, over-tracking, tracking-up, and under-tracking donโ€™t really apply.

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Your horseโ€™s capacity to fulfill these requirements will depend on multiple factors, such as his conformation, innate talent, level of suppleness, and the correctness of his training.

Illustration created and copyrighted by HowToDressage

10/11/2025

โ€œConfessions of a Riding School Saintโ€

Hello, human.
Yes, you โ€” the one still trying to find the correct diagonal.

Iโ€™m the riding-school horse you meet once a week. You call me โ€œsteady,โ€ โ€œsafe,โ€ or, when I donโ€™t immediately burst into extended trot, โ€œlazy.โ€ Iโ€™ve carried hundreds like you โ€” some with bouncing enthusiasm, others with a death-grip on the reins and a look that says, โ€œPlease, not canter.โ€

Every rider brings their own style. Some kick like theyโ€™re starting a lawnmower. Some perch like a baby giraffe learning ballet. One even tried โ€œnatural horsemanshipโ€ by whispering at me for twenty minutes. (I admired the effort, but grass would have been more persuasive.)

I do my best to translate. But itโ€™s tricky when one person wants me to go forward, the next to collect, and the next to โ€œjust feel the rhythmโ€ while clamping both legs and pulling on my face. Youโ€™d be confused too.

Sometimes, when the messages get too loud or too mixed, I tune out. You call it โ€œlazy.โ€ I call it โ€œself-preservation.โ€ You see, my job isnโ€™t easy โ€” I must keep everyone safe while pretending your seat bones arenโ€™t trying to send Morse code in three languages at once.

Iโ€™ve met every training philosophy going: โ€œforward fixes everything,โ€ โ€œnever use the leg,โ€ โ€œride from the seat,โ€ and my favorite โ€” โ€œjust sit deeper!โ€ (Usually shouted as the rider performs a mid-arena levitation.)

But Iโ€™ve also met kindness. The quiet rider who remembers to breathe, softens their hand, and says โ€œgoodโ€ when I try. Thatโ€™s when I lift my back, stretch my neck, and remember what partnership feels like.

I donโ€™t care about levels or ribbons. I care that you try to understand me. That you see me not as a piece of gym equipment but as a partner โ€” one who has to process your nerves, your posture, and your Spotify playlist of contradictory aids.

So before you call a horse lazy, ask yourself: am I clear? Calm? Consistent?
Because the truth is, Iโ€™m not stubborn โ€” Iโ€™m exhausted from reading mixed signals.

If you listen, Iโ€™ll listen. If you work on you, Iโ€™ll meet you halfway โ€” maybe even with a flying change if Iโ€™m feeling fancy.

After all, Iโ€™m not just your ride. Iโ€™m your mirror, your teacher, and occasionally, your unpaid therapist.
Now, pat me. Iโ€™ve earned it.

Author: Gary A Diplock

27/09/2025

It is in our DNA . . .

17/09/2025
Week Two Camp Crew!!!
26/08/2025

Week Two Camp Crew!!!

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