StableManners, LLC

StableManners, LLC Quality instruction, focusing on classical dressage with purpose, for the rider and horse.

Strong foundation and experience in teaching horsemanship, equine behavior and biomechanics. I take special pride in the amount of patience I have with my students, both equine and human. I am always furthering my education through lessons, clinics, classes and independent studies, both within and outside of USDF. I am a resident instructor at two St Louis area barns, and am available for clinic s

cheduling and as a schooling/unrecognized dressage judge. At this time, my schedule is full for weekly students (I do have a waitlist), and I am booking clinics for the spring/summer 2023.

06/14/2026

šŸ“šŸ’”

Have you ever read the collective remarks on the back of your dressage test and wondered how judges determine the score for the rider’s position?

In this week's spotlight article, author Jayne Ayers explains what judges look for when evaluating a rider’s position. Whether you're aiming to improve your marks or simply gain a better understanding of the judging process, this is valuable insight for every dressage rider.

USDF members can read the full article at the link below:
šŸ”— https://www.usdf.org/education/university/kb/item.asp?ID=2634

P.S. This article, and select other reprinted USDF Connection articles, are also available to non-members on YourDressage.org.

āœ Jayne Ayers
šŸ“ø HAND AND WRIST ALIGNMENT: Incorrect hand and wrist position compromises the rider’s ability to follow the horse’s motion and hinders the clarity of the rein aids

06/13/2026

The quality and quantity of the rein contact is not simply determined by the rider’s hands alone, as some people think. In fact, the rein contact is not limited to the rider’s hands and the horse’s mouth (or nose, if you ride in a bitless bridle) at all, but it encompasses the entire body of horse and rider. The hind legs send out energy impulses that lift and push the body forward. These impulses are transmitted from one vertebra to the next until they arrive in the horse’s lower jaw and nose where the rider can feel them in her hands and seat. That’s why the old masters used to say that the horse has to ā€œstep into the bitā€ with his hind legs.

When the rider’s elbows and upper arms are connected with the seat, and when the horse is connected from back to front, the rider can feel the energy impulses of each hind leg in her hand on the same side. The hind leg that swings forward fills the rein contact slightly, which culminates when the hind leg touches down. To the rider this feels like a pulse, as if you put your finger tips on an artery.

You can also feel the rein contact in your back muscles, especially in moments where the horse loses balance and leans on the bit.

The energy impulses of the horse’s hind legs are a little bit like a raw material. They arrive in the rider’s hands with a certain quantity and quality, depending on how balanced, how straight, and how supple the horse is and how much energy he expends. The rider now has to receive these energy impulses at first as they are, regardless of whether they produce a contact that is too light or too heavy, or somewhere in between. Once the initial contact is established, you can have a dialogue with the horse about shaping and improving the contact.

Since the rein contact involves the horse’s and the rider’s entire body, any change to the balance, suppleness, straightness, and posture of the horse or rider will automatically affect the quality and quantity of the rein contact in some way. You can even use the rein contact as a gauge for the quality of the horse’s current training, as well as the rider’s seat. Consequently, any efforts to improve rein contact issues that are limited to the horse’s head and neck or the rider’s hand will be doomed to fail.

Only an improvement in the above mentioned areas will improve the contact at the same time.

06/11/2026

DAP is viewed by some experts as the best single indicator of a horse’s aptitude and suitability for the highest levels of dressage.

06/11/2026

We care so much about our horses that we want to help them at every stride. We squeeze, we hold, and we grip with our thighs. We put in so much effort that we unintentionally clamp our seat, and here is the hard truth... a clamped seat is a "stop" sign for your horse. And I promise you, "more leg" is almost never the real answer. And neither is "drive with your seat."

When your seat is tight, you are effectively telling your horse to brace their back. You are creating a physical ceiling that prevents them from swinging through their topline. You end up working harder, they get stiffer, and both of you finish the ride feeling exhausted.

If you feel like you are doing all the work, your horse is likely doing none of it, and it's probably becasue you are trying so hard that are in the way.

During your next warm-up, focus entirely on your thigh muscles. Every time you exhale, consciously drop your legs away from the saddle and feel your weight sinking, letting your legs drape. When you stop trying to carry your horse with your legs, you will be amazed at how much more swing and freedom they offer in return. (You know... self-carriage).

What movement or figure gets you and your horse the most braced against each other? What piece are you actually struggling to clarify iIn order to create the fluid movement that you're looking for? Remember, clarity out-performs struggle.

06/11/2026

This is my kind of instructor! Love this imagery and her fun tone of explanation!

06/11/2026

🐓 Turn on the Haunches

Turn on the haunches is an immensely valuable exercise. It teaches your horse how to listen to the inside bending aids and the outside turning aids at the same time - which is essential for success with the more advanced lateral movements of haunches in and half pass. It also serves to engage the hindquarters and encourages increased bending of the joints of the hind legs. The end result is that your horse's body feels more packaged. It's a great way to begin working on collection.

Use the link below to learn how to do it! ā¬‡ļøā¬‡ļøā¬‡ļø

https://www.myvirtualeventingcoach.com/turn-on-the-haunches/

06/11/2026

Yep😊😊😊😊😊

06/10/2026
06/10/2026

**Understanding Second Level Dressage: Where Strength Meets Collection**

Second Level is often called the "make or break" level in dressage, and for good reason.

Up to this point, much of the training has focused on developing rhythm, relaxation, connection, and basic straightness. The horse has learned to move willingly forward into the contact and respond to the rider's aids.

Now the conversation changes.

Second Level is where we begin asking the horse not just to push from behind, but to start carrying from behind.

This distinction is critical.

Many riders mistake collection for a slower tempo or a shorter stride. In reality, true collection is the result of increased strength, balance, and engagement. The horse lowers the croup, lightens the forehand, and begins transferring more weight onto the hindquarters while maintaining energy, activity, and elasticity throughout the body.

This is why the movements introduced at Second Level are so important.

Shoulder-in teaches the horse to step further underneath its body and improve alignment.

Travers and renvers increase suppleness while encouraging greater carrying power from the inside hind leg.

Medium gaits test whether the horse can lengthen the frame and stride without losing balance or connection.

Simple changes reveal the quality of the canter, the horse's adjustability, and the rider's ability to maintain balance through transitions.

Every movement serves a purpose. None exist simply to earn points in a test.

They are gymnastic exercises designed to strengthen the horse for the work that lies ahead.

One of the most common challenges riders encounter at this level is confusing collection with restriction. When horses are asked to "collect" before they have the strength to carry themselves, they often become tense, lose activity behind, shorten the neck, drop behind the leg, or feel stuck in the bridle.

The answer is rarely more hand.

The answer is usually better engagement, improved balance, and continued development of the hindquarters.

So how do we begin collection without restriction?

Collection starts with creating more energy, not less. The rider asks the hind legs to become quicker, more active, and more engaged. Then, through well-timed half halts, that energy is recycled back toward the hindquarters rather than allowed to run onto the forehand.

The horse should feel as though the stride is becoming more powerful underneath you, not smaller in front of you.

Think about riding the hind legs toward a receiving seat and elastic contact rather than pulling the front end shorter.

A good early collected stride still feels forward. The neck remains supple, the back stays swinging, and the horse remains willing to move into the contact. If the horse loses impulsion, becomes tight through the topline, or feels trapped between the hand and leg, collection has likely turned into restriction.

This is why transitions within the gait, transitions between gaits, shoulder-in, and counter canter are often some of the best tools for developing collection. They strengthen the carrying power of the hindquarters while teaching the horse to rebalance itself without relying on the rider's hand.

The best Second Level horses still feel like they want to go forward. They simply become more adjustable. They can lengthen and shorten their stride, shift their balance, and stay in self-carriage without relying on the rider to hold them together.

Second Level isn't about performing advanced movements.

It's about building the strength, coordination, and understanding necessary for true collection.

Because the collection seen at Third, Fourth, and FEI levels isn't created overnight.

It's built one correct transition, one shoulder-in, one half halt, and one balanced stride at a time.

Address

St. Louis, MO

Opening Hours

Tuesday 9am - 7pm
Wednesday 9am - 7pm
Thursday 1pm - 7pm
Friday 9am - 7pm
Saturday 9am - 5pm
Sunday 9am - 5pm

Telephone

+13149746382

Website

Alerts

Be the first to know and let us send you an email when StableManners, LLC posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to StableManners, LLC:

Share

Category