12/02/2025
The brilliant Jackie Summers is an entrepreneur and an outstanding writer.
Here's the first part of an essay he posted recently, and I thought of how we look to the arts during the Blent -- concerts, dance, vocal music, holiday markets, cooking, decorating --- pulling them up like blankets.
The arts of dog training, too, during this 'vague stretch of days' spent indoors somewhere: subject, light, time, and framing.
Aperture.
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Welcome to the Blent—that vague stretch of days between the fourth week of November and mid-January when time loses all meaning. Emails slow down, emotions run hot, capitalism tosses tinsel on austerity. Jeans grow increasingly skinny, the days slog, and it’s okay to crawl under the covers by 4pm. For the next few weeks, things might feel a bit blurry.
That’s not a design flaw. That’s a feature.
The first rule of good design is: if everything’s important, nothing is. This is true whether you’re drafting a leaflet, a lyric, or a life. Great photography, for example, is just four things in conversation: subject, light, time, and framing. Each matters on its own, yet what truly counts is how those integers interact.
To capture a subject, a photographer controls how much light can enter a lens, and for how long. Narrow aperture plus wide focus equals: the whole scene is visible, but depending on your background noise, your subject may get lost. Wide aperture plus narrow focus equals: your subject snaps into clarity, everything else melts into blur.
Both are valid. Only one accounts for the asymmetry of information.